Performance Rights Act

Key: what the circles and colors mean

Each circle is a bill. The ring fills as it moves through Congress:

IntroducedPassed one chamberPassed both chambersBecame law (gold)Resolution agreed to (full, dark)Failed or vetoed (gray)

Under the number: the Yea · Nay count of its final (or latest) recorded vote. On a member's page, the small badge is how that member voted: Y Yea / Aye, N Nay / No, P Present, – Not voting.

Gold and violet are only for Yea and Nay; they never mean a party. A member's party is the letter on their photo.

Never voted on. It didn't reach a floor vote before the 111th Congress ended, so it expired. A bill has to be introduced again to be considered in a new Congress.

D LeahySponsor

8 cosponsors · 5 D, 3 R

4 signed on when it was introduced; the rest joined later. Cosponsors who withdrew aren't shown.

Performance Rights Act - (Sec. 2) Amends federal copyright law to: (1) grant performers of sound recordings equal rights to compensation from terrestrial broadcasters (AM and FM radio); and (2) modify the circumstances under which the public performance of a sound recording is subject to statutory licensing.

What it does: CRS summary · Reported to Senate with amendment(s) · Oct 15, 2009

(Sec. 3) Establishes an annual flat fee in lieu of royalty payments for certain small, noncommercial, educational, and religious terrestrial broadcast stations that have annual revenues falling within specified ranges.

Prohibits such annual fees from being taken into account in any Copyright Royalty Board rate-setting proceeding or in any other federal government proceeding.

Includes broadcasts of religious services or incidental uses of musical sound recordings publicly by digital audio transmission among performances of a sound recording that are not copyright infringements.

(Sec. 4) Provides a per program license option for terrestrial broadcast stations that make limited feature uses of sound recordings.

(Sec. 5) Prohibits: (1) license fees payable for the public performance of sound recordings from being used in any governmental proceeding to set the license fees payable to copyright owners of musical works for the public performance of their works to adversely affect such license fees; (2) a licensee of a sound recording from publicly performing such sound recording unless a license has been granted for the public performance of any copyrighted musical work contained in the sound recording; (3) anything in this Act from adversely affecting the public performance rights or royalties payable to songwriters or copyright owners of musical works; and (4) rates established by the Copyright Royalty Judges for the public performance of sound recordings from being used in any governmental proceeding to adversely affect license fees payable to copyright owners of musical works for the public performance of their works by terrestrial broadcast stations.

(Sec. 6) Entitles a featured recording artist who performs on a sound recording that has been licensed for public performance by means of an audio transmission to payments from the sound recording's copyright owner in accordance with the terms of the artist's contract.

Requires: (1) sound recording copyright owners to deposit 1% of the receipts from their licensing of public performance rights by means of an audio transmission into the American Federation of Musicians and American Federation of Television and Radio Artists Intellectual Property Rights Distribution Fund for distribution to nonfeatured performers who have performed on sound recordings; and (2) the Fund to pay 50% to nonfeatured musicians and 50% to nonfeatured vocalists.

(Sec. 7) Amends the standard for ephemeral/temporary copies of sound recording license rates to: (1) apply rates that represent the "willing buyer-willing seller" standard and sets forth guidelines for determining rates; and (2) provide that for transmissions pursuant to a public performance license rates shall be established covering the applicable public performances and the related making of phonorecords, and the royalty for the making of phonorecords used by the transmitting organization solely to facilitate transmissions for which it pays royalties shall constitute 5% of such payments.

Written by the nonpartisan Congressional Research Service. All summary versions on Congress.gov

About this bill and sources

Official title: Performance Rights Act

Latest action (Oct 15, 2009): Placed on Senate Legislative Calendar under General Orders. Calendar No. 181.

Policy area: Commerce · Origin: Senate · Introduced: Feb 4, 2009

Official page on Congress.gov · Bill text (GovInfo) · Status record (XML)

No recorded floor vote found.